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A Fine Line February 10 2018

A Fine Line, the exhibition I have curated with willow artist Lizzie Farey, continues in Edinburgh before heading to Inverness and then Dumfires.

The exhibition showcases works by four contemporary artists based in Scotland - me, Lizzie, Frances Priest and Bronwen Sleigh. Working with a variety of media, but united by detailed observation and strong draughtsmanship, we each experiment with linear mark-making and drawing in its widest sense.

Exploring the boundary between art and craft, the works included cover a diverse range of disciplines including sculpture, willow, ceramics and printmaking.

Until 18.02.18 at Edinburgh's City Art Centre, 2 Market Street, Edinburgh EH1 1DE. Find out more about the exhibition and the future venues

Angie Lewin - Saltmarsh Storm - linocut

My largest linocut yet, 'Saltmarsh Storm'

Lizzie Farey 'Folium' willow (photograph by Warren Sanders)

Frances Priest 'Grammar of Ornament - India, i' (detail photograph by Shannon Tofts)

Bronwen Sleigh 'Kiyembe Lane' hand coloured etching

My mixed media collage, 'Clifftop Grasses'



Fabric covered notebooks January 20 2018

St Jude's are now offering a limited edition selection of A5 hardback cloth-covered notebooks covered in my screen printed fabrics for St Jude's, with a premium 125gsm plain paper, perfect for both note taking and sketching. Find out more



Amy Dennis October 30 2017

I'm about to take part in Airs, Reels and Ballads, an exhibition at The Scottish Gallery in collaboration with St Jude's. I'll be exhibiting a selection of prints including new screen prints, linocuts and wood engravings.

The exhibition brings together the work of nineteen printmakers, painters and applied artists in a celebration of British art.

It's a pleasure to be exhibiting alongside my friend, the painter Amy Dennis.

Amy studied Drawing and Painting at Edinburgh College of Art, graduating in 2000. She is a Jolomo Foundation Landscape painting award winner (2013) and has exhibited with the Scottish Gallery since 2009, in regular Society group shows and has work in public collections. She currently lives and works in Edinburgh.

Airs, Reels and Ballads features six of Amy's paintings. Talking of her work...

"I am interested in creating assembled images combining landscape with still life aspects. This work uses architectural view over the Firth of Forth as an observed backdrop before which real and imagined objects and motifs are arranged and imposed. I use the ancient medium of egg tempera paint (raw pigment bound with egg yolk and distilled water according to a 15th century recipe) on Italian gesso. I am interested in emphasising the craft aspect of painting in my work and paint with tempera techniques both traditional and experimental, using meticulously prepared (pigmented and polished) gesso panels as a ground to build up the work with many thin glazes of paint."

The exhibition opens on 1st November 2017 and runs until 29th November 2017 at The Scottish Gallery, 16 Dundas Street, Edinburgh EH3 6HZ. Find out more

Barnbougle Caste with Navigational Tools, egg tempera on true gesso panel, 37 x 24 cms

Barnbougle Caste with Navigational Tools by Amy Dennis

Bass Rock with Navigational Tools, egg tempera on true gesso panel, 37 x 24 cms

Bass Rock with Navigational Tools by Amy Dennis

Calton Hill, egg tempera on rue gesso panel, 37 x 24 cms

Calton Hill by Amy Dennis

Inchkeith Island with Navigational Tools, egg tempera on true gesso panel, 37 x 24 cms

Inchkeith Island with Navigational Tools by Amy Dennis

Inchmickery Island with Navigational Tools, egg tempera on true gesso panel, 37 x 24 cms

Inchmickery Island with Navigational Tools by Amy Dennis

Oxcars Lighthouse with Drafting Tools, egg tempera on true gesso panel, 37 x 24 cms

Oxcars Lighthouse with Drafting Tools by Amy Dennis

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Monica Poole October 03 2017

This is Monica Poole's 'Piddock Architecture' wood engraving from 1975, one of the prints that feature in A Printmaker's Journey, the exhibition I've curated for Hampshire Cultural Trust which reopened at its final venue in Lymington last week.

When I began wood engraving again in earnest a few years after leaving college, the clarity and attention to detail in Monica Poole’s depiction of natural forms was a huge inspiration. I never looked at a piece of seaweed or pebble in the same way again and discovered the fascination of studying nature in close detail.

A Printmaker's Journey features over 60 works from over 20 artists including Edward Bawden, Barnett Freedman, Jonny Hannah, Gertrude Hermes, Mark Hearld, Enid Marx, Paul Morrison, Eric Ravilious, Rob Ryan, Graham Sutherland and Emily Sutton.

Until 25th November 2017 at St Barbe Museum and Art Gallery, Lymington, Hampshire SO41 9BH Find out more

Monica Poole - Piddock Architechture - wood engraving

Image courtesy of Folkestone Art Trust

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Workshops for December August 17 2017

Later this year I'll be exhibiting at the City Art Centre in Edinburgh as part of A Fine Line, alongside Lizzie Farey (who I have curated the exhibition with), Frances Priest and Bronwen Sleigh. I'll be sharing further information about the event over the coming weeks.

As part of the exhibition there will be two related workshops.

On Saturday 2nd December 2017 between 10.00-16.00 I'll be hosting a one-day wood engraving workshop.

I'll start the day by sharing examples of the work of fellow wood engravers. Then we'll experiment with tools on a practice block before engraving and printing your own woodblock. You are welcome to bring sketches/reference material with you for inspiration. It’s important to note that wood engraving is a slow and precise process and some participants may not leave with a completely finished print but will learn all stages of the process. This course is suitable for adults (aged 18+) and you will need to have some drawing skills to benefit fully from this workshop.

This one-day workshop costs £75.00 and is limited to 10 participants. If you'd like to book a place, please contact the City Art Centre reception on 0131 529 3993.

I'd also recommend a workshop that's being hosted by my good friend Lizzie Farey on Saturday 16th December 2017 from 10.30-16.00. This class will teach you how to make willow Christmas trees, wreaths and stars for the festive season. The cost for the workshop is also £75.00 and this will need to be booked on through the City Art Centre on 0131 529 3993.

If you'd like to see more of Lizzie's work, she will be exhibiting at The Scottish Gallery in Edinburgh from 6th-30th September 2017. Find out more

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Working on a wood engraving

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Lizzie Farey in her studio - photo courtesy of The Scottish Gallery

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Lizzie Farey 'Almost Spring' woven willow - photo by Shannon Tofts



A Printmaker’s Journey February 26 2017

I'm delighted to share news of a forthcoming exhibition that I have curated for Hampshire Cultural Trust, A Printmaker's Journey, which opens in Winchester on Saturday 11th March and then tours Hampshire until early November 2017.

A Printmaker's Journey includes work selected from a wide range of disciplines and periods which will lead the visitor through the inspirations and affinities which have influenced my journey as a printmaker and designer. Paintings, textiles, prints, posters and ceramics by artists and designers including Eric Ravilious, Edward Bawden, Mark Hearld, Alan Reynolds, Emily Sutton and Paul Morrison will be displayed alongside work from various stages of my career.

I'll be at The Gallery, Winchester Discovery Centre on and off throughout the opening day, Saturday 11th March. I hope that you might be able to visit. Find out more

For those of you further afield, over the next few months I'll share details of some of the works selected and their significance to me. Keep an eye on my Instagram and Facebook pages for updates.

A Printmaker's Journey runs from 11 March – 30 April 2017 at The Gallery, Winchester Discovery Centre then tours until early November 2017. Find out more

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Angie Lewin 'Sollas Sands' linocut, 2015

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Edward Bawden 'The Road to Thaxted' linocut, 1956

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Lizzie Farey 'Almost Spring' woven willow, 2017
(photograph by Shannon Tofts)

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Eric Ravilious King Edward VIII Coronation Mug, 1937 (originally designed in 1936)

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Angie Lewin 'Festival Mug' lithograph

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Emily Sutton 'Olive Cook's Settle' watercolour, 2013

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Edward Bawden 'Church and Dove' wallpaper, 1925



Barnett Freedman January 19 2017

I'm currently curating an exhibition which will open at Winchester Discovery Centre on Saturday 11th March 2017. A Printmaker's Journey will then tour Hampshire until the end of November.

The exhibition will include work selected from a wide range of disciplines and periods which have in some way influenced my work as a printmaker and designer. Paintings, textiles, prints, posters and ceramics by artists and designers including Eric Ravilious, Edward Bawden, Alan Reynolds and Paul Morrison will be displayed alongside examples of my own work.

Full details of the exhibition will be announced soon - do subscribe to my newsletter if you'd like to find out more.

I'll be including two works by artist and illustrator Barnett Freedman, a contemporary of Bawden and Ravilious.

Over at Spitalfields Life, author David Buckman takes a look at the work of this prolific artist and illustrator...

"Barnett Freedman is among my top candidates for a blue plaque, as one of the most distinguished British artists to emerge from the East End. There was a 2006 campaign to get him one in at 25 Stanhope St, off the Euston Rd, where he lived early in his career, but English Heritage rejected him, along with four others as of “insufficient stature or historical significance” – an unjust decision exposed by the Camden New Journal. The artist and Camden resident David Gentleman was one among many who supported the plaque, writing “He was a very good and original artist whose work deserves to be remembered. He influenced me in the sense of his meticulous workmanship. He was a real master of it.” Read David Buckman's article in full

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A portrait of Barnett Freedman

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Advertisement for Shell, 1951.

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Barnett Freedman’s ‘Claudia’ typeface.

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Lithographs for ‘Oliver Twist,’ published by the Heritage Press in New York, 1939.

Barnett Freedman works courtesy Special Collections, Manchester Metropolitan University



Barnett Freedman January 19 2017

I'm currently curating an exhibition which will open at Winchester Discovery Centre on Saturday 11th March 2017. A Printmaker's Journey will then tour Hampshire until the end of November.

The exhibition will include work selected from a wide range of disciplines and periods which have in some way influenced my work as a printmaker and designer. Paintings, textiles, prints, posters and ceramics by artists and designers including Eric Ravilious, Edward Bawden, Alan Reynolds and Paul Morrison will be displayed alongside examples of my own work.

Full details of the exhibition will be announced soon - do subscribe to my newsletter if you'd like to find out more.

I'll be including two works by artist and illustrator Barnett Freedman, a contemporary of Bawden and Ravilious.

Over at Spitalfields Life, author David Buckman takes a look at the work of this prolific artist and illustrator...

"Barnett Freedman is among my top candidates for a blue plaque, as one of the most distinguished British artists to emerge from the East End. There was a 2006 campaign to get him one in at 25 Stanhope St, off the Euston Rd, where he lived early in his career, but English Heritage rejected him, along with four others as of “insufficient stature or historical significance” – an unjust decision exposed by the Camden New Journal. The artist and Camden resident David Gentleman was one among many who supported the plaque, writing “He was a very good and original artist whose work deserves to be remembered. He influenced me in the sense of his meticulous workmanship. He was a real master of it.” Read David Buckman's article in full

21

A portrait of Barnett Freedman

festival-of-britain001

Advertisement for Shell, 1951.

baynard-claudia001

Barnett Freedman’s ‘Claudia’ typeface.

Oliver-Twist-004

Lithographs for ‘Oliver Twist,’ published by the Heritage Press in New York, 1939.

Barnett Freedman works courtesy Special Collections, Manchester Metropolitan University



Rena Gardiner at MMU October 15 2016

Manchester Metropolitan University's Special Collections are currently hosting an exhibition dedicated to the work of Rena Gardiner.

Rena Gardiner (1929-1999) spent her life entirely devoted to her art, creating books, prints and paintings. She is best known for a series of guidebooks to historic places, buildings and the countryside, each of which she wrote, printed and illustrated herself. This exhibition will include some of these guidebooks alongside paintings, pastels, linocuts and sketch-books and a display of work by some of the artists who influenced Rena including Eric Ravilious, John Piper and Edward Bawden.

The exhibition is based upon the book Rena Gardiner: Artist and Printmaker by Julian Francis and Martin Andrew, published by Little Toller Books in association with the Dovecote Press, 2015.

Rena Gardiner: Artist and Printmaker at MMU Special Collections runs until 18th November 2016. Visit their website for full details

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Rena Gardiner at MMU October 15 2016

Manchester Metropolitan University's Special Collections are currently hosting an exhibition dedicated to the work of Rena Gardiner.

Rena Gardiner (1929-1999) spent her life entirely devoted to her art, creating books, prints and paintings. She is best known for a series of guidebooks to historic places, buildings and the countryside, each of which she wrote, printed and illustrated herself. This exhibition will include some of these guidebooks alongside paintings, pastels, linocuts and sketch-books and a display of work by some of the artists who influenced Rena including Eric Ravilious, John Piper and Edward Bawden.

The exhibition is based upon the book Rena Gardiner: Artist and Printmaker by Julian Francis and Martin Andrew, published by Little Toller Books in association with the Dovecote Press, 2015.

Rena Gardiner: Artist and Printmaker at MMU Special Collections runs until 18th November 2016. Visit their website for full details

47-20130718-0125_900

8-renagardiner-143_900

21-renagardiner-137_900

008-renagardiner_0714_036-owl_900

74-ntcotehele_0032_000



Katy Hackney September 22 2016

We're delighted that jeweller Katy Hackney is taking part in our current Editions & Objects exhibition at Yorkshire Sculpture Park which runs until the end of October 2016.

For the exhibition Katy has created a limited edition of ten box wood pendants, each individually decorated and numbered.

Born in Dundee and now based in London, Katy Hackney received a BA at Edinburgh College of Art and a MA at the Royal College of Art, London. Continues below...

katyhackney-j-lewis-05

Hackney’s practice is driven by the materials she’s excited by. Materials she uses include woods, plastics, precious and non-precious metals, found objects, paint, formica and enamel. Her current influences include vintage toys and folk art.

Her work can be seen in the permanent collections of the London Crafts Council, Montreal Museum of Decorative Arts, Royal Museum of Scotland, Edinburgh, and the Ulster Museum, National Museum of Northern Ireland.

We took the opportunity to find our a little more about Katy's work and current activities...

Can you tell us how to came to designing wearable works of art?

When I left the RCA I set up in business and designed and made more commercial production silver jewellery which sold well but it was tedious work.

Then I discovered cellulose acetate which spectacle frames are made from, began to experiment with it, and my work became larger and more colourful and I became interested in finding other materials to use, such as wood, Formica, other found plastics… colour! Continues below...

finished_splashes

You also teach at Central St Martins; how does this impact on the type of work you create?

I don’t notice that it does, something must seeping in?

It does keep me up to date with what is going on the jewellery world as we have a great programme of lectures.

I enjoy passing on knowledge and working with students from all over the world, and working with an amazing team.

What are your major influences?

Everyday things, I often get an idea from something I see in the street on my journey to college or on holiday or trips abroad.

I use my Instagram account as my visual diary, I often go back to it and print out photos of textures, colour combinations, shapes.

Working on lots of other things also feeds in to my work.

I love old toys and objects with a 'story' showing in their wear and tear - doors, tiles, tools and peeling paint.

What is a typical day for you?

My days are fairly varied. As well as teaching I work with knitwear designer Jo Gordon as colour consultant, helping to design her collections each year.

I also work as a picture researcher for costume in film, a job I started a few years ago and love. It definitely informs my work and I am learning something new all of the time.

Most recently I was the costume researcher on Suffragette and I’m working on other projects that are in production.

What is your preferred material of use?

At the moment it's wood.

You use an incredible array of materials, how do you decide which to use in a project?

I have boxes of bits that I gather along the way from all over and I work in a 'collage' sort of way with lots of pieces on my work table. I’ll move these around and arrange, cut then rearrange until I get something I like.

It gets really messy and I have to have a big clear up then I begin all over again! Continues below...

experiments

You work as a colour advisor to Jo Gordon Knitwear; how does this impact on your work?

It definitely does as we do research on different ways and I end up looking at textiles which I didn't really before.

The costume research really influences and helps in both jewellery and design work for Jo. I'm currently researching clothing in 1950 to 60s for a job. The colours and patterns of dresses then were amazing. This will all feed into my brain and re-emerge somehow in my jewellery!

What is your favourite colour?

Yellow

What can you see from your studio today?

Usually it my neighbour’s wall!

But today from my balcony in Barcelona I can see a narrow street filled with little balconies covered in colourful washing, a man delivering a cooker and a tiny barking dog having a pee.

What single tool would you consider essential to your work?

My jeweller’s saw and my camera (usually on my phone).

What are you working on now and what is coming up next?

The staff of St. Martins are having a show COUNTERCURRENT in Arthur Beales, Yacht Chandlers in Shaftesbury Avenue. My response to the shop was to collect, borrow and steal Nautical themed jewellery and fill a little cabinet with it, we installed in amongst the shops stock... I'm also researching for a costume project. Teaching will begin in October and so will working with Jo.

Editions & Objects at Yorkshire Sculpture Park continues until Sunday 30th October 2016. Find out more about the exhibition or take a look at all the available works online including Katy Hackney's box wood pendant.

Portrait photography by Jenny Lewis.

katy_workshop_by-jenny-lewis

packaging



Elizabeth Merriman’s paintings August 05 2016

My friend Elizabeth Merriman is currently exhibiting a series of new paintings at Salthouse Church on the North Norfolk coast in a show entitled 'The Orchard'.

Simon and I were pleased to show Elizabeth's paintings in the first solo exhibition we hosted at our former North Norfolk gallery ten years or so ago.

Elizabeth Merriman completed her BA (Hons) in Fine Art at Canterbury College of Art and followed this with a post-graduate higher diploma at the Slade School of Fine Art where her work was shortlisted for the Barclays Young Painter award. Her work has featured in several London galleries with work now in a number of private and corporate collections including Unilever’s.

Now living and working in East Anglia, Elizabeth’s work has also been shown at galleries in Norfolk, Suffolk and Yorkshire.
Elizabeth develops her ideas through a number of techniques, progressing from pencil to the creation of works in oil.

'The Orchard' is open until Sunday 7th August at Salthouse Church (from 11am until 5.30pm). If you'd like to know more about the paintings, please e-mail Simon via info@stjudes.co.uk

We're hoping to exhibit Elizabeth's paintings in an exhibition in Edinburgh in 2017 - sign up for the St Jude's newsletter to find out more.

EMB

EMA

EMC



Elizabeth Merriman’s paintings August 05 2016

My friend Elizabeth Merriman is currently exhibiting a series of new paintings at Salthouse Church on the North Norfolk coast in a show entitled 'The Orchard'.

Simon and I were pleased to show Elizabeth's paintings in the first solo exhibition we hosted at our former North Norfolk gallery ten years or so ago.

Elizabeth Merriman completed her BA (Hons) in Fine Art at Canterbury College of Art and followed this with a post-graduate higher diploma at the Slade School of Fine Art where her work was shortlisted for the Barclays Young Painter award. Her work has featured in several London galleries with work now in a number of private and corporate collections including Unilever’s.

Now living and working in East Anglia, Elizabeth’s work has also been shown at galleries in Norfolk, Suffolk and Yorkshire.
Elizabeth develops her ideas through a number of techniques, progressing from pencil to the creation of works in oil.

'The Orchard' is open until Sunday 7th August at Salthouse Church (from 11am until 5.30pm). If you'd like to know more about the paintings, please e-mail Simon via info@stjudes.co.uk

We're hoping to exhibit Elizabeth's paintings in an exhibition in Edinburgh in 2017 - sign up for the St Jude's newsletter to find out more.

EMB

EMA

EMC



Recent watercolours July 22 2016

I'm pleased to share details of some recent watercolours, the latest original works created in my studio.

In addition to two paintings currently being exhibited in Edinburgh as part of The Scottish Gallery's Flora Depicta exhibition, the three new watercolours shown below will feature in Off The Wall, an exhibition in London at The Bankside Gallery which opens on 29th July featuring the work of members of the Royal Society of Painter-Printmakers and the Royal Watercolour Society. I was delighted to be elected to the latter earlier this year. Find out more

If you'd like to find out more about these three new watercolours, please contact The Bankside Gallery on 020 7928 7521.

Angie_Lewin_Striped_Cups_with_Spring_Flowers_web_900

Striped Cups with Spring Flowers (watercolour)

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Striped Cups with Spring Flowers (watercolour - detail)

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Tuscan and Umbrian Seedheads, La Cavière (watercolour)

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Tuscan and Umbrian Seedheads, La Cavière (watercolour - detail)

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New Town Cup with Feathers and Seedheads (watercolour)

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New Town Cup with Feathers and Seedheads (watercolour - detail)



Recent watercolours July 22 2016

I'm pleased to share details of some recent watercolours, the latest original works created in my studio.

In addition to two paintings currently being exhibited in Edinburgh as part of The Scottish Gallery's Flora Depicta exhibition, the three new watercolours shown below will feature in Off The Wall, an exhibition in London at The Bankside Gallery which opens on 29th July featuring the work of members of the Royal Society of Painter-Printmakers and the Royal Watercolour Society. I was delighted to be elected to the latter earlier this year. Find out more

If you'd like to find out more about these three new watercolours, please contact The Bankside Gallery on 020 7928 7521.

Angie_Lewin_Striped_Cups_with_Spring_Flowers_web_900

Striped Cups with Spring Flowers (watercolour)

Angie_Lewin_Striped_Cups_detail_900

Striped Cups with Spring Flowers (watercolour - detail)

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Tuscan and Umbrian Seedheads, La Cavière (watercolour)

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Tuscan and Umbrian Seedheads, La Cavière (watercolour - detail)

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New Town Cup with Feathers and Seedheads (watercolour)

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New Town Cup with Feathers and Seedheads (watercolour - detail)



Flora Depicta July 09 2016

I'm currently exhibiting as part of Flora Depicta, a celebration of botanical art at The Scottish Gallery in Edinburgh, which features work from twenty artists working across a variety of mediums.

And I'm honoured that a room in the gallery has been dedicated to my work, featuring a selection of botanically inspired prints plus two new watercolours, Wooden Dish with Uist Pebbles and Ramsons with Thistle Pot. These are the first paintings I've exhibited since election to the Royal Watercolour Society.

The exhibition will run from 6th July until 30th July at The Scottish Gallery, 16 Dundas Street, Edinburgh EH3 6HZ. The catalogue can be viewed online.

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'Wooden Dish with Uist Pebbles' watercolour

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'Wooden Dish with Uist Pebbles' watercolour (detail)

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'Ramsons with Thistle Pot' watercolour

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'Ramsons with Thistle Pot' watercolour (detail)

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A view of part of the room of my work at The Scottish Gallery with a sculptural work by Andrea Geile.

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'Island Summer' screen print

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'Sollas Sands' linocut



Flora Depicta July 09 2016

I'm currently exhibiting as part of Flora Depicta, a celebration of botanical art at The Scottish Gallery in Edinburgh, which features work from twenty artists working across a variety of mediums.

And I'm honoured that a room in the gallery has been dedicated to my work, featuring a selection of botanically inspired prints plus two new watercolours, Wooden Dish with Uist Pebbles and Ramsons with Thistle Pot. These are the first paintings I've exhibited since election to the Royal Watercolour Society.

The exhibition will run from 6th July until 30th July at The Scottish Gallery, 16 Dundas Street, Edinburgh EH3 6HZ. The catalogue can be viewed online.

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'Wooden Dish with Uist Pebbles' watercolour

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'Wooden Dish with Uist Pebbles' watercolour (detail)

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'Ramsons with Thistle Pot' watercolour

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'Ramsons with Thistle Pot' watercolour (detail)

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A view of part of the room of my work at The Scottish Gallery with a sculptural work by Andrea Geile.

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'Island Summer' screen print

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'Sollas Sands' linocut



Nature Study, Late Summer December 16 2015

Earlier in the year I was delighted to be asked by The Pallant House Gallery in Chichester to produce a new screen print to celebrate the opening of their latest exhibition, David Jones: Vision and Memory.

I've written about the inspiration for this new six colour print in the latest Pallant House Gallery magazine, but you can find out more online.

I was particularly influenced by David Jones' Flora in Calix-Light (1950) and Briar Cup (1932). Whilst working on the print I visited Kettle's Yard, focussing on the collections of natural objects such as pale grey-brown feathers scattered upon a shallow glass dish, a small glass jug of asters beside a twist of seaweed stem and Jim Ede's pebble spiral on a simple wooden table.

Angie Lewin - Nature Study, Late Summer - screenprint

Angie Lewin - Nature Study, Late Summer - screenprint

Angie Lewin - Nature Study, Late Summer - screenprint

Angie Lewin - Nature Study, Late Summer - screenprint

Angie Lewin - Nature Study, Late Summer - screenprint



Stopping by Woods December 13 2015

I'm pleased to announce the launch of my latest small wood engraving, Stopping By Woods. Inspired by a favourite Robert Frost poem, this wintry print makes use of a rather unusually shaped end grain block that I'd been waiting to find a use for. Find out more

Angie Lewin - Stopping by Woods - wood engraving



Moku-hanga November 10 2015

As part of my curation of The Masters - Relief Prints at The Bankside Gallery I was pleased to see a number of prints made using the moku-hanga technique. Unlike many relief printmaking methods which make use of oil-based inks, this traditional Japanese woodblock printmaking technique uses water-based inks which are applied to the cut wooden block. Handmade Japanese paper is then placed onto the block which is then hand burnished using a baren.

Below are prints from two artists who make use of the technique in their work.

Paul Furneaux is based in Scotland and exhibits his prints globally. His website includes some excellent notes about his approach to the moku hanga technique.

Born in Osaka, Japan, Nana Shiomi studied oil painting and printmaking at the Tama Art University (BA, MA), Tokyo. Shiomi came to London to study contemporary art and received an MA in printmaking from the Royal College of Art in 1991.

The Masters - Relief Prints run until Sunday 15th November at The Bankside Gallery, 48 Hopton Street, London SE1 9JH. Find out more

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Paul Furneaux 'Sunlight Garden' (54 x 74cm)

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Nana Shiomi 'Garan-Do, Autumn' (80 x 107cm)



The Masters – Relief Prints November 07 2015

Many thanks to everyone who came along to the opening of The Masters - Relief Prints, the first in a series of technique-specific annual exhibitions presented by the Royal Society of Painter Printmakers.

I've had the honour of curating this event which runs until the 15th of November 2015 at The Bankside Gallery, next to Tate Modern.

Thanks to all of the artists who have made the exhibition possible. The quality of work submitted was impressive and it was a very tough job narrowing down the selection of works exhibited from over 1,100 submitted prints - the exhibition features around 160 works by 150 artists. Below are a few images illustrating the diversity of the work on show.

The Masters - Relief Prints until 15th November 2015 at The Bankside Gallery, 48 Hopton Street, London SE1 9JH.

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Gail Brodholt 'Factory Junction' linocut (55 x 90cm)

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Jonathan Ashworth 'Home From Playground' woodcut (50 x 67cm)

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Justin Knopp 'In the Midst of Life I Woke' letterpress (51 x 71cm)

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Steven Hubbard 'Fireworks' linocut (24 x 33cm)

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Laura Rosser 'Golden Girl' woodcut (130 x 150cm)

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Melvyn Evans 'Tugboats on the Thames' linocut (57 x 39cm)



Saltmarsh, Morston September 30 2015

 I'm pleased to share details of my latest limited edition print, 'Saltmarsh, Morston'.

This screen print is based on sketches made on the North Norfolk coastline on a sunny, breezy day, sitting on the saltmarsh amongst the sea campion and thrift, looking through the grass and flower stems. Across The Pit, a narrow stretch of water, I can see Blakeney Point. Strong yellow discs of cat’s ear flowers (also known as flatweed) stand out against the pale chalky colours of the other vegetation and the bright blue early summer sky.

You can find out more about the print and view a selection of my current editions over at my website.

Posted by Angie Lewin

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Brick House July 01 2015

If you're familiar with the work of Edward Bawden and Eric Ravilious you probably will know of the Brick House in Great Bardfield in Essex. This was their home, along with their wives, Charlotte and Tirzah, for a few years in the 1930s.

The illustrator and printmaker, Alice Pattullo, has recently created an ingenious and characterful fold-out replica of the house for Design For Today. With rooms filled with the objects you would expect to find from cats and patterned wallpapers to Bawden's printing press and cast iron bench, there's a wealth of detail. There's even a sheet of cut out extras including the two artists themselves looking rather like Gilbert and George.

Alice Pattullo is an illustrator and printmaker working in East London. Her work can be found at the V&A, The Higgins, John Soames Museum, Cecil Sharp House and in the pages of design and illustration magazines, Alice is inspired by the folk traditions of England and influenced by the mid-century printmaking of artists such as Edward Bawden and John Piper.

Design For Today was founded by Joe Pearson, an established collector and writer on mid-century lithography. As one of the country’s experts in his field Joe has given talks at several institutions such as the Double Crown Club, St Brides Printing Library, The House of Illustration and the University of East Anglia.

Find out more and purchase a copy of Brick House from Design For Today’s website.

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Our Highland studio June 16 2015

Earlier in the year we were visited by our friends from Country Living, along with our photographer and friend Cristian Barnett.

Some of Cristian's photographs appeared in the April issue of Country Living but several more are published in Country Living Modern Rustic which is available from magazine stands now.

Cristian also made this short film about the making of my wallpaper, Nature Table.

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