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Barnett Freedman January 19 2017

I'm currently curating an exhibition which will open at Winchester Discovery Centre on Saturday 11th March 2017. A Printmaker's Journey will then tour Hampshire until the end of November.

The exhibition will include work selected from a wide range of disciplines and periods which have in some way influenced my work as a printmaker and designer. Paintings, textiles, prints, posters and ceramics by artists and designers including Eric Ravilious, Edward Bawden, Alan Reynolds and Paul Morrison will be displayed alongside examples of my own work.

Full details of the exhibition will be announced soon - do subscribe to my newsletter if you'd like to find out more.

I'll be including two works by artist and illustrator Barnett Freedman, a contemporary of Bawden and Ravilious.

Over at Spitalfields Life, author David Buckman takes a look at the work of this prolific artist and illustrator...

"Barnett Freedman is among my top candidates for a blue plaque, as one of the most distinguished British artists to emerge from the East End. There was a 2006 campaign to get him one in at 25 Stanhope St, off the Euston Rd, where he lived early in his career, but English Heritage rejected him, along with four others as of “insufficient stature or historical significance” – an unjust decision exposed by the Camden New Journal. The artist and Camden resident David Gentleman was one among many who supported the plaque, writing “He was a very good and original artist whose work deserves to be remembered. He influenced me in the sense of his meticulous workmanship. He was a real master of it.” Read David Buckman's article in full


A portrait of Barnett Freedman


Advertisement for Shell, 1951.


Barnett Freedman’s ‘Claudia’ typeface.


Lithographs for ‘Oliver Twist,’ published by the Heritage Press in New York, 1939.

Barnett Freedman works courtesy Special Collections, Manchester Metropolitan University

Rena Gardiner at MMU October 15 2016

Manchester Metropolitan University's Special Collections are currently hosting an exhibition dedicated to the work of Rena Gardiner.

Rena Gardiner (1929-1999) spent her life entirely devoted to her art, creating books, prints and paintings. She is best known for a series of guidebooks to historic places, buildings and the countryside, each of which she wrote, printed and illustrated herself. This exhibition will include some of these guidebooks alongside paintings, pastels, linocuts and sketch-books and a display of work by some of the artists who influenced Rena including Eric Ravilious, John Piper and Edward Bawden.

The exhibition is based upon the book Rena Gardiner: Artist and Printmaker by Julian Francis and Martin Andrew, published by Little Toller Books in association with the Dovecote Press, 2015.

Rena Gardiner: Artist and Printmaker at MMU Special Collections runs until 18th November 2016. Visit their website for full details






Elizabeth Merriman’s paintings August 05 2016

My friend Elizabeth Merriman is currently exhibiting a series of new paintings at Salthouse Church on the North Norfolk coast in a show entitled 'The Orchard'.

Simon and I were pleased to show Elizabeth's paintings in the first solo exhibition we hosted at our former North Norfolk gallery ten years or so ago.

Elizabeth Merriman completed her BA (Hons) in Fine Art at Canterbury College of Art and followed this with a post-graduate higher diploma at the Slade School of Fine Art where her work was shortlisted for the Barclays Young Painter award. Her work has featured in several London galleries with work now in a number of private and corporate collections including Unilever’s.

Now living and working in East Anglia, Elizabeth’s work has also been shown at galleries in Norfolk, Suffolk and Yorkshire.
Elizabeth develops her ideas through a number of techniques, progressing from pencil to the creation of works in oil.

'The Orchard' is open until Sunday 7th August at Salthouse Church (from 11am until 5.30pm). If you'd like to know more about the paintings, please e-mail Simon via

We're hoping to exhibit Elizabeth's paintings in an exhibition in Edinburgh in 2017 - sign up for the St Jude's newsletter to find out more.




Recent watercolours July 22 2016

I'm pleased to share details of some recent watercolours, the latest original works created in my studio.

In addition to two paintings currently being exhibited in Edinburgh as part of The Scottish Gallery's Flora Depicta exhibition, the three new watercolours shown below will feature in Off The Wall, an exhibition in London at The Bankside Gallery which opens on 29th July featuring the work of members of the Royal Society of Painter-Printmakers and the Royal Watercolour Society. I was delighted to be elected to the latter earlier this year. Find out more

If you'd like to find out more about these three new watercolours, please contact The Bankside Gallery on 020 7928 7521.


Striped Cups with Spring Flowers (watercolour)


Striped Cups with Spring Flowers (watercolour - detail)


Tuscan and Umbrian Seedheads, La Cavière (watercolour)


Tuscan and Umbrian Seedheads, La Cavière (watercolour - detail)


New Town Cup with Feathers and Seedheads (watercolour)


New Town Cup with Feathers and Seedheads (watercolour - detail)

Flora Depicta July 09 2016

I'm currently exhibiting as part of Flora Depicta, a celebration of botanical art at The Scottish Gallery in Edinburgh, which features work from twenty artists working across a variety of mediums.

And I'm honoured that a room in the gallery has been dedicated to my work, featuring a selection of botanically inspired prints plus two new watercolours, Wooden Dish with Uist Pebbles and Ramsons with Thistle Pot. These are the first paintings I've exhibited since election to the Royal Watercolour Society.

The exhibition will run from 6th July until 30th July at The Scottish Gallery, 16 Dundas Street, Edinburgh EH3 6HZ. The catalogue can be viewed online.


'Wooden Dish with Uist Pebbles' watercolour


'Wooden Dish with Uist Pebbles' watercolour (detail)


'Ramsons with Thistle Pot' watercolour


'Ramsons with Thistle Pot' watercolour (detail)


A view of part of the room of my work at The Scottish Gallery with a sculptural work by Andrea Geile.


'Island Summer' screen print


'Sollas Sands' linocut

Nature Study, Late Summer December 16 2015

Earlier in the year I was delighted to be asked by The Pallant House Gallery in Chichester to produce a new screen print to celebrate the opening of their latest exhibition, David Jones: Vision and Memory.

I've written about the inspiration for this new six colour print in the latest Pallant House Gallery magazine, but you can find out more online.

I was particularly influenced by David Jones' Flora in Calix-Light (1950) and Briar Cup (1932). Whilst working on the print I visited Kettle's Yard, focussing on the collections of natural objects such as pale grey-brown feathers scattered upon a shallow glass dish, a small glass jug of asters beside a twist of seaweed stem and Jim Ede's pebble spiral on a simple wooden table.

Angie Lewin - Nature Study, Late Summer - screenprint

Angie Lewin - Nature Study, Late Summer - screenprint

Angie Lewin - Nature Study, Late Summer - screenprint

Angie Lewin - Nature Study, Late Summer - screenprint

Angie Lewin - Nature Study, Late Summer - screenprint

Stopping by Woods December 13 2015

I'm pleased to announce the launch of my latest small wood engraving, Stopping By Woods. Inspired by a favourite Robert Frost poem, this wintry print makes use of a rather unusually shaped end grain block that I'd been waiting to find a use for. Find out more

Angie Lewin - Stopping by Woods - wood engraving

Moku-hanga November 10 2015

As part of my curation of The Masters - Relief Prints at The Bankside Gallery I was pleased to see a number of prints made using the moku-hanga technique. Unlike many relief printmaking methods which make use of oil-based inks, this traditional Japanese woodblock printmaking technique uses water-based inks which are applied to the cut wooden block. Handmade Japanese paper is then placed onto the block which is then hand burnished using a baren.

Below are prints from two artists who make use of the technique in their work.

Paul Furneaux is based in Scotland and exhibits his prints globally. His website includes some excellent notes about his approach to the moku hanga technique.

Born in Osaka, Japan, Nana Shiomi studied oil painting and printmaking at the Tama Art University (BA, MA), Tokyo. Shiomi came to London to study contemporary art and received an MA in printmaking from the Royal College of Art in 1991.

The Masters - Relief Prints run until Sunday 15th November at The Bankside Gallery, 48 Hopton Street, London SE1 9JH. Find out more


Paul Furneaux 'Sunlight Garden' (54 x 74cm)


Nana Shiomi 'Garan-Do, Autumn' (80 x 107cm)

The Masters – Relief Prints November 07 2015

Many thanks to everyone who came along to the opening of The Masters - Relief Prints, the first in a series of technique-specific annual exhibitions presented by the Royal Society of Painter Printmakers.

I've had the honour of curating this event which runs until the 15th of November 2015 at The Bankside Gallery, next to Tate Modern.

Thanks to all of the artists who have made the exhibition possible. The quality of work submitted was impressive and it was a very tough job narrowing down the selection of works exhibited from over 1,100 submitted prints - the exhibition features around 160 works by 150 artists. Below are a few images illustrating the diversity of the work on show.

The Masters - Relief Prints until 15th November 2015 at The Bankside Gallery, 48 Hopton Street, London SE1 9JH.


Gail Brodholt 'Factory Junction' linocut (55 x 90cm)


Jonathan Ashworth 'Home From Playground' woodcut (50 x 67cm)


Justin Knopp 'In the Midst of Life I Woke' letterpress (51 x 71cm)


Steven Hubbard 'Fireworks' linocut (24 x 33cm)


Laura Rosser 'Golden Girl' woodcut (130 x 150cm)


Melvyn Evans 'Tugboats on the Thames' linocut (57 x 39cm)

Saltmarsh, Morston September 30 2015

 I'm pleased to share details of my latest limited edition print, 'Saltmarsh, Morston'.

This screen print is based on sketches made on the North Norfolk coastline on a sunny, breezy day, sitting on the saltmarsh amongst the sea campion and thrift, looking through the grass and flower stems. Across The Pit, a narrow stretch of water, I can see Blakeney Point. Strong yellow discs of cat’s ear flowers (also known as flatweed) stand out against the pale chalky colours of the other vegetation and the bright blue early summer sky.

You can find out more about the print and view a selection of my current editions over at my website.

Posted by Angie Lewin




Brick House July 01 2015

If you're familiar with the work of Edward Bawden and Eric Ravilious you probably will know of the Brick House in Great Bardfield in Essex. This was their home, along with their wives, Charlotte and Tirzah, for a few years in the 1930s.

The illustrator and printmaker, Alice Pattullo, has recently created an ingenious and characterful fold-out replica of the house for Design For Today. With rooms filled with the objects you would expect to find from cats and patterned wallpapers to Bawden's printing press and cast iron bench, there's a wealth of detail. There's even a sheet of cut out extras including the two artists themselves looking rather like Gilbert and George.

Alice Pattullo is an illustrator and printmaker working in East London. Her work can be found at the V&A, The Higgins, John Soames Museum, Cecil Sharp House and in the pages of design and illustration magazines, Alice is inspired by the folk traditions of England and influenced by the mid-century printmaking of artists such as Edward Bawden and John Piper.

Design For Today was founded by Joe Pearson, an established collector and writer on mid-century lithography. As one of the country’s experts in his field Joe has given talks at several institutions such as the Double Crown Club, St Brides Printing Library, The House of Illustration and the University of East Anglia.

Find out more and purchase a copy of Brick House from Design For Today’s website.








Our Highland studio June 16 2015

Earlier in the year we were visited by our friends from Country Living, along with our photographer and friend Cristian Barnett.

Some of Cristian's photographs appeared in the April issue of Country Living but several more are published in Country Living Modern Rustic which is available from magazine stands now.

Cristian also made this short film about the making of my wallpaper, Nature Table.